Where The Weight Settles


Abstract figurative painting of a tightly cropped headless torso with a raised shoulder, rendered in layered acrylic and plaster with pink, ochre, blue and green
  • Close-up detail of layered acrylic and plaster showing a heavily textured headless figure merging into a muted green and blue ground.

    Slide title

    Write your caption here
    Button
  • Close-up detail of dense acrylic and plaster with pale, pink, blue and ochre passages against a dark blue-green background.

    Slide title

    Write your caption here
    Button

About the work

Where the Weight Settles developed through the accumulation of paint and plaster until the figure began to feel compressed into the surrounding surface. Rather than remaining clearly separate from the ground, the body seems to gather, erode and partly disappear within it.


Material density shifts across the figure, with plaster and paint building into some areas more heavily than others. Colour moves through the surface in a similar way, acting less as description than as a register of pressure, sensitivity and imbalance.

The head is often omitted from these figures. Its absence grew from a recurring sense of heaviness—physical, but also harder to locate — and from the way that sensation can alter how the body is experienced from within.


Plaster is important to this body of work because of its associations with repair and rebuilding. Here, however, it does not return the figure to wholeness. It becomes part of the body’s instability, carrying traces of what has accumulated, shifted and remained unresolved.




Artwork details
2026
Acrylic and plaster on canvas
30 × 30 cm


Availability on request