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Biography


Anthony Carey standing beside a large abstract painting at an exhibition opening

about anthony

Anthony Carey is a Dublin-based Irish artist creating original abstract and figurative paintings shaped by memory, belonging, grief and emotional resilience. Working mainly in textured acrylic and mixed media, with drawing, scraping and repeated mark-making at the centre of his process, he makes atmospheric works that move between the human figure, abstraction and landscape.


His paintings often begin with something felt: a memory, a place, a figure, or a moment of loss. Through layers of colour, texture and repeated adjustment, he tries to give form to feelings that are not always easy to explain in words. Drawing sits beneath much of the work, not always as outline, but as trace, pressure, scraping, erasure and repeated mark-making.


The human figure remains an important part of his practice, often appearing fractured, partial, or quietly present. Alongside this, landscape-based painting has become another way of carrying emotional experience. Horizon, weather, distance and atmosphere allow the work to speak about loss, endurance, awe and the search for a sense of place.


Carey sees figure, abstraction and landscape as connected ways of exploring memory and human experience. A figure can hold the feeling of a place. A landscape can carry the emotional weight of a person. An abstract surface can suggest something half-remembered, unresolved, or still forming.


His work is also informed by mythology, spirituality and Jungian thought, particularly ideas of inner and outer landscape, threshold and transformation. These ideas sit beneath the paintings rather than explaining them directly, leaving space for viewers to bring their own memories and associations.


Carey’s work has been exhibited in Ireland and internationally, including at the Chianciano Biennale in Italy, where he received an award in the Abstract category in 2022. His paintings are held in private collections across Ireland, Europe, North America and Australia. You can explore available paintings, view selected works, or read the full CV for exhibition history and professional details.


Artist Statement

My work often begins with a feeling of not fully belonging to a place, a moment, or even the world as it is. Since the death of my wife, that sense of dislocation has become part of how I understand memory, grief and the search for home. Painting gives me a way to stay with those feelings without needing to explain them too neatly.


I work across abstraction, figuration and landscape because each one offers a different way of holding experience. Sometimes the figure appears fractured, partial, or quietly present. At other times, the feeling is carried by a horizon, a shoreline, weather, distance, or the atmosphere of a place.


The paintings are built slowly through layers of acrylic, plaster, mixed media, drawing, scraping and repeated adjustment. Drawing sits beneath much of the work, not always as outline, but as trace, pressure, erasure and repeated mark-making. I scrape back, cover, reveal and rework the surface until something begins to settle. The process is physical, but also reflective. I am often searching for the point where the work begins to hold a mood or presence of its own.


I am drawn to mythology, spirituality and Jungian thought, especially ideas of threshold, archetype and transformation, but I do not want the work to be read like a puzzle. These ideas sit quietly beneath the paintings, and are more about shaping the atmosphere rather than a fixed meaning.


What matters most to me is that the work leaves space: for memory, for stillness, for what hurts, for what remains unresolved, and for what might still be changing. I want the paintings to hold that space gently, so that viewers can meet them through their own memories and experiences.


SELECTED CAREER HIGHLIGHTS

  • Award Winner – Chianciano Biennale, Italy, 2022 (Abstract Category)
  • Solo Exhibitions – Belonging: A Quest for Home (2024), Small Talk (2022)
  • International Group Shows – Ireland, USA, UK, Germany, Netherlands, Australia
  • Publications – Connection, Letters from Dublin (2020), Ask Me Arse (2020 & 2025 ed.)
  • Film Recognition – 10+ international awards for Story, a one-minute film


View Full CV


"While Monet painted the changes within the work itself; Carey records the reverberations directly on his work… both sharing a core appreciation for color, texture, light, shadow, and transitions. I hope you enjoy his day in this moment."


 - Jennifer Gillie Cutshall, Curator, Verum Ultimum Gallery, Portland, Oregon, USA.

Questions answered

  • What is a textured painting?

    A textured painting is an artwork with a physical surface you can see, where layers, ridges and marks catch the light in different ways.


    As an Irish abstract artist based in Dublin, I build my paintings with acrylic, plaster and mixed media, then scrape back and rework the surface so traces of earlier layers remain visible.


    For me, painting texture is a way of holding memory. It can suggest what has been covered, changed, repaired, or left behind. Hanging a heavily textured painting brings a tactile, living presence to your home. You can see this quality in many of my selected works.

  • Should abstract art have meaning?

    No, abstract art does not need a single, fixed meaning; instead, it uses colour, texture, rhythm, and atmosphere to evoke an emotional response.


    My contemporary Irish abstract paintings often begin with personal themes of memory, grief, belonging, and place. However, I do not intend for my artwork to be decoded like puzzles with one correct answer. Instead, I leave open space on the canvas for viewers to bring their own life experiences, emotions, and associations. The true meaning of the artwork is the personal connection it makes with you

  • How do I know if a painting is right for me or my home?

    To know if a painting is right for your home, trust your personal emotional connection to the piece and consider the mood it introduces to your living space.


    Choosing abstract art is both a practical and deeply personal decision. Rather than trying to match your furniture or cushions, focus on the atmosphere you want to create—whether that is calm, energy, warmth, or quiet power. Consider the wall size, the room’s natural light, and the colour palette. If an artwork holds your attention and you keep returning to it, that intuitive connection means the painting will feel at home with you.

  • Why buy original art directly from the artist?

    Buying directly from the artist gives you a closer connection to the work and its story. You know where the painting comes from, how it was made, and that it is authentic.

    When you purchase artwork directly from my Dublin studio, you are supporting contemporary Irish art from the source. Every original painting is packaged and shipped worldwide, arrives with a signed Certificate of Authenticity, and you are welcome to contact me with any questions before purchasing.

    To make the process easier for collectors, my original Irish paintings on canvas arrive wired and ready to hang, whether framed or unframed. shop available works

  • How do figures and landscapes come together in your work?

    Figures and landscapes come together in my art to explore the deep emotional connection between the human form, memory, and a sense of place.


    As an Irish artist working across abstract, figurative, and landscape-based painting, I use the human figure to suggest vulnerability, absence, or a search for belonging. Simultaneously, the  landscape holds atmosphere, distance, weather, and memory.


     I am interested in how we carry spaces inside us and how environments change us. The figure and the land are not separate in my studio; they both explore what it means to belong, feel displaced, or search for home.

  • Should I buy an original painting or a limited-edition print?

    Whether you choose an original painting or a limited-edition print depends on your budget, wall space, and the kind of connection you want with the work.


    Original Irish Paintings: These are entirely one-of-a-kind, carrying physical plaster texture, raw studio brushwork, and distinct presence. My original paintings are supplied ready to hang, whether framed or unframed. Framing is available as an optional choice on selected works.


    Limited-Edition Art Prints: These offer an accessible way to collect contemporary Irish art while retaining scarcity through restricted print runs. Prints are shipped unframed (flat or rolled in a secure tube), allowing you to choose a custom frame that perfectly matches your home’s decor.


  • View Full CV

    Anthony Carey

    Born in Dublin, Ireland

    Currently lives and works in Dublin, Ireland

    Email: hello@anthonycareyart.com

    Website: www.anthonycareyart.com

    Instagram: www.instagram.com/anthonycareyart


    EDUCATION

    Current: BA in Creative Arts with OCA – University of Creative Arts, Barnsley, UK.


    SOLO EXHIBITIONS

    2024 — Belonging: A Quest for Home, Scariff Library Gallery, Mountshannon, Clare, Ireland.

    2022 — Small Talk, Icon Factory, Dublin, Ireland.


    GROUP EXHIBITIONS

    2025 — 6 x 6, RoCo Art Centre, Rochester, New York, USA.

    2024 — 6 x 6, RoCo Art Centre, Rochester, New York, USA.

    2024 — Art for Gaza, The Copperhouse Gallery, Dublin, Ireland.

    2023 — Open Studio, Dublin, Ireland.

    2023 — Art at the Mill, Berkeley Gallery, Grennan Mill, Thomastown, Kilkenny, Ireland.

    2023 — Summer of Love, Courthouse Gallery, Ennistymon, Co. Clare, Ireland.

    2023 — Mountshannon Arts Festival, Mountshannon, Co. Clare, Ireland.

    2023 — 6 x 6, RoCo Art Centre, Rochester, New York, USA.

    2023 — 10th Annual Abstract Sanctuary, Verum Ultimum Gallery, Portland, Oregon, USA.

    2023 — Art Is, Kefi Art Gallery, Toronto, Canada.

    2023 — Group Show, GalleryX, Dublin, Ireland.

    2022 — Chianciano Art Biennale, Museo d’Arte di Chianciano, Tuscany, Italy. Award in Abstract Category.

    2022 — Art at the Mill, Berkeley Gallery, Thomastown, Kilkenny, Ireland.

    2022 — The Garden of Loss and Triumph, Artaviso, Amsterdam, Netherlands.

    2022 — Door to Door, Artaviso, Lite-Haus Galerie & Projektraum, Berlin, Germany.

    2021 — Art in Brooklyn, Brooklyn Art Cave, New York, USA.

    2021 — Pluid Project, The Cowshed, Farmleigh, Phoenix Park, Dublin, Ireland.

    2021 — Sculpture in the Garden, Berkeley Gallery, Kilkenny, Ireland.

    2021 — Newsprint, Three Works, Scarborough, UK.

    2021 — London Art Biennale, Chelsea Old Town Hall, London, UK.

    2021 — Newsprint Exhibition, Three Works, Scarborough, UK.

    2021 — Hope, Fragmented Collective, Glasgow, UK. Virtual exhibition.

    2020 — Door to Door (UK & Europe), Artaviso. Virtual exhibition.

    2020 — Art & Architecture: Uncovering Libraries & Collections, Temple Bar Gallery + Studios, Dublin, Ireland.

    2020 — Artist Spotlight, Sauvage Gallery. Virtual exhibition.

    2019 — The Christmas Fair, Icon Factory, Dublin, Ireland.

    2019 — Art & Architecture: Uncovering Libraries & Collections, Temple Bar Gallery + Studios, Dublin, Ireland.

    2019 — Sculpture in Context, National Botanic Gardens, Dublin, Ireland.

    2018 — Showcase, 30 Years, Gallery@OXO, London, UK.

    2018 — Art & Architecture: Uncovering Libraries & Collections, Temple Bar Gallery + Studios, Dublin, Ireland.

    2018 — Trasna 8, Courthouse Gallery and Studios, Co. Clare, Ireland.


    FILM

    Story, a one-minute experimental film, has been officially selected as a finalist or nominee at film festivals in London, Berlin, Tokyo, Lisbon, Rome, Los Angeles, Bali, Toronto, and Vancouver.

    2021 — Imagine Rain Independent Film Awards, California, USA. Best Experimental Short — Winner.

    2021 — Great Message International Film Festival, Mumbai, India. Best Smartphone Film — Winner.

    2021 — Tagore International Film Festival, West Bengal, India. Best One Minute Film — Winner.

    2021 — Art Film Awards, Skopje, Macedonia. Best Super Short Film — Winner.

    2021 — Art Film Awards, Skopje, Macedonia. Best Poster — Winner.

    2021 — World Film Carnival. Best Experimental Film — Winner. Best One Minute Film — Winner.

    2021 — Virgin Spring Cinefest, West Bengal, India / Singapore. Best One Minute Film — Winner.

    2021 — Druk International Film Festival. Best One Minute Film — Winner.

    2021 — 1st Monthly Film Festival, Belgrade, Serbia. Honourable Mention.

    2021 — Lule International Film Festival, Luleå, Sweden. Semi-Finalist.


    FUNDRAISING

    2025 — ArtHouse, in aid of Outhouse Dublin.

    2024 — One in Four, Dublin.

    2024 — ArtHouse, in aid of Outhouse Dublin.

    2024 — So This Is Early Onset Bowel Cancer, The Loft Gallery, Brisbane, Australia.

    2023 — One in Four, Dublin.

    2023 — Twitter Art Exhibit, supporting Urban Native Youth Association, Vancouver, Canada.

    2023 — Outside the Box, RHA, supporting Scoop Foundation, Dublin, Ireland.

    2022 — ArtHouse, in aid of Outhouse Dublin.

    2022 — Incognito, in aid of Jack and Jill Children’s Foundation.

    2022 — Twitter Art Exhibit, supporting The Encephalitis Society, The Hiscox Building, York, UK.

    2021 — Incognito, in aid of Jack and Jill Children’s Foundation.

    2021 — ArtHouse, in aid of Outhouse Dublin.

    2021 — Twitter Art Exhibit, in aid of LINC, Cheltenham, UK.

    2021 — Pluid Project, Dublin, Ireland.

    2020 — Inside Out Homeshow, in aid of The Coombe Children’s Hospital.

    2020 — ArtHouse, in aid of Outhouse Dublin.


    BOOKS

    2018 — Connection, Anthony Carey, Dublin, Ireland.

    2020 — Letters from Dublin, Anthony Carey and Stephen Carey, Dublin, Ireland.

    2020 — Ask Me Arse and Other Useful Phrases, Anthony Carey and Becca Carey, Dublin, Ireland.

    2025 — Ask Me Arse and Other Useful Phrases, Second Edition, Anthony Carey and Becca Carey, Dublin, Ireland.


    REVIEWS

    Whelan, Ken. Finglas Connection, Northside People Sunday, 2 September 2018.

    Whelan, Ken. Author Writes Letters from Dublin, Northside People Sunday, 7 January 2020.


    PUBLICATIONS

    2021 — Red Sails in a Covid Urban Landscape, Artists Responding To, Issue 6.

    2021 — Opinion, Haus-a-Rest, Issue 13: The Uncanny.


    COLLECTIONS

    Works held in private collections in Ireland, the USA, Canada, Mexico, Australia, the UK, Germany, and Greece.

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