Story
a one minute film
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Expand to read the detailed accessible transcript, including descriptions of visuals, sound, and overlaid text. * Includes downloadable PDF.
STORY - Accessibility Transcript:
Introduction
"STORY" is a one-minute video artwork exploring the intersection of marginalization, recognition, and temporal perception. Drawing on visual motifs of fragility - brown paper, cardboard, and ephemeral lighting - the piece presents an immersive, transient environment constructed from found and vulnerable materials.
Over the course of sixty seconds, brief textual overlays emerge and vanish: phrases spoken to or by individuals experiencing homelessness, moments of vulnerability, resistance, and emotional survival. The transience of these phrases is intentional; they reflect the fleeting nature of attention and empathy in public space. The rapidity with which the text appears mirrors how swiftly such voices are ignored or forgotten.
The installation - a constructed shelter made of brown paper and tape - functions both as an aesthetic object and as a symbolic structure. It references not only physical precarity, but also the emotional and psychological architectures built by those living in unstable conditions.
The inclusion of Pearse's The Sovereign People at the film's opening anchors the piece within a broader sociopolitical discourse, connecting historical assertions of collective ownership and welfare with contemporary issues of displacement and poverty.
The total runtime underscores the artist's central premise: that a single minute - one act of eye contact, a greeting, a gesture - is all it takes to acknowledge another's humanity. In rendering this fleeting moment with care and detail, STORY invites the viewer to reflect on both visibility and silence, and the everyday power of recognition.
Full Accessibility Transcript
[00:00:00] - Opening Scene:
The screen is black. Faint sounds of a scratchy vinyl record begin to play. Bold red letters fade in: "STORY".
[00:00:04] - Historical Declaration:
Over a faded red background, white text appears: "PROCLAMATION 1919". The voice of Pearse reads from "The Sovereign People":
"We declare that the nation's sovereignty extends not only to all the men and women of the nation, but to all of its material possessions, the nation's soil and all its resources, all the wealth and all the wealth-producing processes within the nation and we affirm that all the right to private property must be subordinate to the public right and welfare."
[00:00:28] - Transitional Moment:
The audio of the vinyl fades.
Visual flickering continues, simulating the scratchy texture of an old black-and-white film.
[00:00:30] - Domestic Setting:
A handmade brown paper coat with a red and navy check scarf hangs from the end of a bannister. Sunlight spills through a stained-glass window, casting fractured patterns on the scene.
[00:00:32] - Tactile Presence:
A white and brown English Setter dog lies on a bed, alert.
Across the bedding: a rough, handmade coat fashioned from brown paper and masking tape. The room suggests both care and impermanence.
[00:00:33] - Exterior Hardship:
The coat now hangs against a damp, cold, grey exterior wall. Rain falls heavily.
The texture of wet paper suggests fragility and endurance.
[00:00:36] - Displacement:
A crumpled brown paper coat lies on a cardboard mat over a patterned blanket. Nearby, tape labeled "FRAGILE".
Overlayed text flashes: "Move along SCUM" - then disappears.
[00:00:39] - Injury and Vulnerability:
Close-up: a hand wrapped in paper bandages.
Shot in stark black-and-white.
[00:00:40] - Negative Space:
Negative image: the same hand reversed in tone. Sound of rain and distant thunder.
Offscreen voice: "Ah, you're very good. Thanks very much."
[00:00:40] - Empathy Fragments:
View shifts to a cardboard box installation - brown paper walls, reflective vest strips. Overlayed text: "I'M SAD".
[00:00:41] - Gratitude in Hardness:
Close-up: a bandaged hand reaches into the box installation. Offscreen voice: "Ah I appreciate that."
[00:00:41] - Flickering Defiance:
Bandaged fingers zoomed in.
Text momentarily flashes: "FUCK THEM out of sight".
[00:00:43] - Human Contact:
The box installation again.
Overlay text: "CHAT, EMPATHY, HUMAN".
[00:00:44] - Outstretched Hand:
A slow zoom on the hand - reaching, expectant.
[00:00:44] - Layers of Dignity:
Black-and-white image of the installation, softly lit - almost ghostlike.
[00:00:44] - Harsh Survival:
Color image of the same installation flashes briefly. Overlayed words: "RUBBISH, SURVIVE, SHIT".
[00:00:44] - Return to Monochrome:
A brief glimpse of the installation back in black-and-white.
[00:00:46] - Final Plea:
Close-up: the hand outstretched. Coins clatter onto cardboard.
Footsteps retreat.
Traffic hums in the background.
[00:00:46] - Verbal Assault:
Offscreen voice shouts: "Ye fuckin geebag... put it in the fuckin-" Raw, aggressive, unfiltered emotion.
[00:00:51] - Words of Survival:
Close-up: battered hand still reaching into cardboard space. Overlayed text: "VULNERABLE, STRESSFUL".
[00:00:51] - Fragile Shelter:
View of installation: brown paper coat, torn cardboard, faded check blanket. Scene is haunting in its stillness.
[00:00:51] - Interior Worlds:
Interior of the box slowly zooms inward.
Tattered paper, soft fabric textures illuminated against the gloom.
[00:00:53] - Final Human Exchange:
Voice offscreen: "Alright Anto, what's the story?" Casual tone - familiarity amidst hardship.
[00:00:54] - Echoes of Storytelling: Zoom continues into the fragile structure.
Overlayed text: "STORY".
[00:00:56] - Rain and Silence:
Rain continues falling.
The image fades to black.
Final white text appears: "Anthony Carey © 2021".
[00:00:56-01:00:00] - Closing:
Black screen.
Rain sound softens and fades into silence.
Introduction
"STORY" is a one-minute video artwork exploring the intersection of marginalization, recognition, and temporal perception. Drawing on visual motifs of fragility - brown paper, cardboard, and ephemeral lighting -
the piece presents an immersive, transient environment constructed from found and vulnerable materials.
Over the course of sixty seconds, brief textual overlays emerge and vanish: phrases spoken to or by
individuals experiencing homelessness, moments of vulnerability, resistance, and emotional survival. The
transience of these phrases is intentional; they reflect the fleeting nature of attention and empathy in public
space. The rapidity with which the text appears mirrors how swiftly such voices are ignored or forgotten.
The installation - a constructed shelter made of brown paper and tape - functions both as an aesthetic object
and as a symbolic structure. It references not only physical precarity, but also the emotional and
psychological architectures built by those living in unstable conditions.
The inclusion of Pearse's The Sovereign People at the film's opening anchors the piece within a broader
sociopolitical discourse, connecting historical assertions of collective ownership and welfare with
contemporary issues of displacement and poverty.
The total runtime underscores the artist's central premise: that a single minute - one act of eye contact, a
greeting, a gesture - is all it takes to acknowledge another's humanity. In rendering this fleeting moment with
care and detail, STORY invites the viewer to reflect on both visibility and silence, and the everyday power of
recognition.
Full Accessibility Transcript
[00:00:00] - Opening Scene:
The screen is black. Faint sounds of a scratchy vinyl record begin to play.
Bold red letters fade in: "STORY".
[00:00:04] - Historical Declaration:
Accessibility Transcript: STORY
Over a faded red background, white text appears: "PROCLAMATION 1919".
The voice of Pearse reads from "The Sovereign People":
"We declare that the nation's sovereignty extends not only to all the men and women of the nation, but to all
of its material possessions, the nation's soil and all its resources, all the wealth and all the wealth-producing
processes within the nation and we affirm that all the right to private property must be subordinate to the
public right and welfare."
[00:00:28] - Transitional Moment:
The audio of the vinyl fades.
Visual flickering continues, simulating the scratchy texture of an old black-and-white film.
[00:00:30] - Domestic Setting:
A handmade brown paper coat with a red and navy check scarf hangs from the end of a bannister.
Sunlight spills through a stained-glass window, casting fractured patterns on the scene.
[00:00:32] - Tactile Presence:
A white and brown English Setter dog lies on a bed, alert.
Across the bedding: a rough, handmade coat fashioned from brown paper and masking tape.
The room suggests both care and impermanence.
[00:00:33] - Exterior Hardship:
The coat now hangs against a damp, cold, grey exterior wall.
Rain falls heavily.
The texture of wet paper suggests fragility and endurance.
[00:00:36] - Displacement:
A crumpled brown paper coat lies on a cardboard mat over a patterned blanket.
Nearby, tape labeled "FRAGILE".
Overlayed text flashes: "Move along SCUM" - then disappears.
[00:00:39] - Injury and Vulnerability:
Close-up: a hand wrapped in paper bandages.
Accessibility Transcript: STORY
Shot in stark black-and-white.
[00:00:40] - Negative Space:
Negative image: the same hand reversed in tone.
Sound of rain and distant thunder.
Offscreen voice: "Ah, you're very good. Thanks very much."
[00:00:40] - Empathy Fragments:
View shifts to a cardboard box installation - brown paper walls, reflective vest strips.
Overlayed text: "I'M SAD".
[00:00:41] - Gratitude in Hardness:
Close-up: a bandaged hand reaches into the box installation.
Offscreen voice: "Ah I appreciate that."
[00:00:41] - Flickering Defiance:
Bandaged fingers zoomed in.
Text momentarily flashes: "FUCK THEM out of sight".
[00:00:43] - Human Contact:
The box installation again.
Overlay text: "CHAT, EMPATHY, HUMAN".
[00:00:44] - Outstretched Hand:
A slow zoom on the hand - reaching, expectant.
[00:00:44] - Layers of Dignity:
Black-and-white image of the installation, softly lit - almost ghostlike.
[00:00:44] - Harsh Survival:
Color image of the same installation flashes briefly.
Overlayed words: "RUBBISH, SURVIVE, SHIT".
Accessibility Transcript: STORY
[00:00:44] - Return to Monochrome:
A brief glimpse of the installation back in black-and-white.
[00:00:46] - Final Plea:
Close-up: the hand outstretched.
Coins clatter onto cardboard.
Footsteps retreat.
Traffic hums in the background.
[00:00:46] - Verbal Assault:
Offscreen voice shouts: "Ye fuckin geebag... put it in the fuckin-"
Raw, aggressive, unfiltered emotion.
[00:00:51] - Words of Survival:
Close-up: battered hand still reaching into cardboard space.
Overlayed text: "VULNERABLE, STRESSFUL".
[00:00:51] - Fragile Shelter:
View of installation: brown paper coat, torn cardboard, faded check blanket.
Scene is haunting in its stillness.
[00:00:51] - Interior Worlds:
Interior of the box slowly zooms inward.
Tattered paper, soft fabric textures illuminated against the gloom.
[00:00:53] - Final Human Exchange:
Voice offscreen: "Alright Anto, what's the story?"
Casual tone - familiarity amidst hardship.
[00:00:54] - Echoes of Storytelling:
Zoom continues into the fragile structure.
Accessibility Transcript: STORY
Overlayed text: "STORY".
[00:00:56] - Rain and Silence:
Rain continues falling.
The image fades to black.
Final white text appears: "Anthony Carey © 2021".
[00:00:56-01:00:00] - Closing:
Black screen.
Rain sound softens and fades into silence.
Story (2021)
Have you got a minute?
In this experimental short, Carey paints a picture of the homeless laments like “I’m sad”, “F*** them, out of sight”, ‘Chat, Empathy, Human”, ‘Rubbish Survive, Shit’ and possibly the most poignant image of all the heavily bandaged fingers of one of Dublin’s homeless people.
"Strange, haunting and engaging imagery pulls you into this 1 minute short experimental film. Carey has blended several of his artistic mediums into one film, and the creativity therein is impressive. This film has a personal feeling, but also in sharing his art with the world, director Carey, is allowing us a peek into his mind."
- Imagine Rain Film Festival
"Great approach. Very artistic and experimental director's visual style."
- 1st Monthly Film Festival
Awards
Great Message International Film Festival
Best Smartphone
Virgin Spring Cinefest
Best One Minute Film
World Film Carnival
Best Experimental Film
Best One Minute Film
1st Monthly FIlm Festival
Honorable mention Super Short Film
Art Film Awards
Best Super Short Film
Best Poster
Druk International Film Festival
Best One Minute Film
Imagine Rain Independent Film Awards
Best Experimental Short
Tagore International Film Festival
One Minute Film
Nominations/Finalist
Kosice International Monthly Film Festival
Best Super Short Film
Best Poster
Cult Movies International Film Festival
Short Film Categories
Prague International Monthly Film Festival
Best Super Short Film
Lisbon Film Rendezvous
Tokyo International Short Film Festival
Short Films Main Competition
Roma Short Film Festival
Best MicroFilm
4th Dimension Independent Film Festival
Experimental Films
Best Film Awards
Best Indie Film
Laurels
INTERVIEW WITH ART FILM AWARDS
SKOPJE, NORTH MACEDONIA
1. Tell us something about yourself?
Coming from a creative culture like Ireland, I believe that the arts can influence society and change people’s lives. An emotional connection to people, time and place, fuel my work and lead me to work in various creative mediums to convey the narrative. I think that this personal connection allows me to create and share my work. Perhaps giving people a small glimpse into my mind is a coping mechanism.
2. What are you working on at the moment?
I am continuing work on a project called ‘Invisible Reflections’, that looks at wider societal attitudes and feelings. I am really excited by this project as it examines themes of homelessness, vulnerability, isolation, explored through film, installation, photography, painting and sculptural pieces, using ready-made and found objects (these will be heads contained in clear acrylic pieces). ‘Story’ was one of the key elements in this process and I’m really happy with how it is being received by film festivals and a wider audience.
3. Pitch your film to those who haven’t watched it?
As an experimental art film Story can appear somewhat strange, you will be drawn to watch this repeatedly. It is an exploration through a blend of creative mediums that will give you a short insight into the mind of this director. The film asks the question “How will you feel in one minute?”
4. Share an anecdote from the shooting of the film?
More a tip. never cover your hands in glue and brown paper 15 minutes before you have to prepare dinner…
Reviews
"Strange, haunting and engaging imagery pulls you into this 1 minute short experimental film. Carey has blended several of his artistic mediums into one film, and the creativity therein is impressive. This film has a personal feeling, but also in sharing his art with the world, director Carey, is allowing us a peek into his mind."
- Imagine Rain Film Festival
"Great approach. Very artistic and experimental director's visual style."
- 1st Monthly Film Festival